we have been trained to think about figures directly unless they have been clearly stated become otherwise.

we have been trained to think about figures directly unless they have been clearly stated become otherwise.

Today is Bisexual Visibility Day, which means that we reach celebrate among the best bisexual fictional figures of them all: The 100‘s Clarke Griffin. Clarke Griffin, just how do I love thee? I would ike to count the methods. (Cue obnoxious “11 times Clarke had been THE GREATEST” post, amIrite?) The 100 does not get back because of its 3rd period until next year, which can be simply crazy, since it’s the very best show on television, and I also skip it in great amounts. Fortunately, today is Bisexual Visibility Day, which provides me personally the perfect chance to wax lyrical concerning the show once more! No, really, I’m obsessed.

Because one of several ways that are many that your 100 is efficiently (yup, efficiently. Just ask the authors. Simply no work whatsoever. The terms simply flow as promised, no all nighters required) pressing the boundaries of little display screen storytelling is through casually presenting a love that is female because of its lead character, making Clarke Griffin not merely bisexual, but demonstrating that her sex makes simply no distinction to her character.

Into the most readily useful of y our knowledge. Permit me to commemorate Clarke Griffin today, even though The 100 will not clearly label her nor should it. She nevertheless functions as a role that is great and exemplory case of bi exposure on television. a little recap: In period 1, Clarke discovered by herself within an embarrassing semi love triangle with Finn and Raven, that has been finally settled in period 2 whenever Finn went crazy and slaughtered a number of Grounders (that we nevertheless say is completely normal behavior, that being said), and Clarke ended up being obligated to destroy him, sparing him through the pain he will have endured during the Grounders’ hands.

(This, in addition, ended up being one of the best episodes of tv ever, but I’ll sing a ballad that is heartbroken the tragedy of Finn Collins several other time.) Meanwhile, Clarke had developed a powerful and complicated relationship with Lexa, the Commander regarding the Grounders and, incidentally, the one who condemned Finn to death.

Lexa is really a great character in her very own right, obviously trying to suppress her compassion at each turn, and making difficult choices so that you can hold on the alliance she’s got somehow were able to form because of the other Grounder tribes. With no more apparent was Lexa’s challenge compared to the growing season 2 finale, where she betrayed Clarke along with her individuals to conserve her very own. But we’re getting ahead of ourselves.

Lexa, plainly, had been exactly about Clarke. She unveiled halfway through the summer season that she’d had a lady fan (“Her name had been Costia, and she was mine”), and proceeded which will make heart eyes at her new closest friend but why should we assume that Clarke would return her emotions? In the end, tv has typically been a medium that is heteronormative. Our company is trained to take into account figures directly unless they truly are clearly stated become otherwise. Also it’s so, very easy for television shows desperate to be much more comprehensive, without using any dangers which could impact their ranks, to avoid in the implication of queerness. It is risk-free for characters to throw loving discusses each other or even to make “gay jokes,” so long as they don’t continue.

For sites (whom, main point here, primarily worry about advertisers), it is the perfect center ground: slash shippers get material for his or her fanvids and continue steadily to promote the show on social media marketing (shippers are usually probably the most active on the web, most likely), in addition to increasingly extinct “general audience” can rest easy understanding that the heteronormative, nohomo news model continues to be employed by them. It’s a tried and tested formula.

Not The 100, because its article writers DGAF concerning the media’s weird concern about alienating the CIS guy audience that is white. Either Jason Rothenberg is pulling a Bellamy and doing long lasting hell he wishes, or it truly is so easy for a conventional network show to introduce a brand new element of an founded character’s sex (in which particular case: challenge extended, Supernatural).

Enter Clarke Griffin: The 100‘s main character, a perfectly problematic, strong, sort, ruthless, psychological and compassionate leader. Considered directly just by heteronormative presumption. She falls for Finn, Finn works out to own a girlfriend that is awesome, Finn dies. She grows nearer to Lexa, Lexa kisses her, and Clarke kisses her straight back. As soon as Clarke informs Lexa this woman is perhaps maybe not prepared for the relationship, the minute is full of a lot of things: Our individuals are sex chat rooms type of at war, that ought to actually place a damper on any romance that is budding. You forced me personally to destroy my boyfriend, additionally form of a point that is sticking. Additionally the big one: we don’t determine if I’m able to trust you.

The thing that has been no problem? The truth that they’re both females.

It is perhaps maybe not revolutionary for Clarke become bisexual (though it is refreshing, as tv has typically drawn a line between gay and right, ignoring all the other opportunities in concern about confusing the viewers), however it’s revolutionary because of it never to be an issue. In a news landscape in which you have actually the a long time ago creators declaring that they’re thinking about presenting A lgbtq+ relationship in the 5th period of the show, therefore the Marvel president telling us you may anticipate a non right character into the MCU over the following ten years, it is refreshing for a show just like the 100 to simply flat down introduce bisexuality as an ordinary, non noteworthy thing, then continue with the tale they’re wanting to inform.

Just just just What The 100 knows a lot better than nearly all other programs on television today is the fact that sex shouldn’t be your defining attribute. Until you your self draw focus on it, it shouldn’t even be one of the defining traits. Clarke Griffin is a character that is fantastic. Her sex has nothing in connection with that. The main reason we applaud The 100 is not without fanfare because they“made Clarke bi,” but because they allowed her to follow her heart, wherever it took her. Literally almost every other manager and/or showrunner, be aware please. This can be just exactly how it is done.